May 18, 2023

The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.

About the author

Ashima Yadava

Photographer based in San Franscisco, California Born in New Delhi, India, Ashima now lives in San Francisco, California. She works in digital and analog methods including medium, and 4x5 large format. With the camera as her conduit, Ashima believes in art as a means to social activism and reform. Her work is rooted in documentary practice with a keen focus on issues of gender equality, race, and social justice. Like If Hands Could Speak, which deals with domestic violence in the South Asian community in the Bay Area.

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mnngful curates and features outstading documentary projects by independent photograhers in our newsletter.

Birdman

The project attempts to record the slow death of a culture — Pigeon racing as a typically British sport — that has changed beyond recognition since its inception. The photographs are extraordinarily rich and full of detail — the birds bind them together, they are the common denominator, but there is so much more in the images than just the pigeons. I

Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban settlements in the world which is situated on the periphery of Nairobi, Kenya’s capital with a population of approximately 2.5 million. Poverty, disease and crime are not uncommon when discussing Kenya and Africa in

One Hundred Yards From Home

A photographic exploration of family relationships and an inquiry into connection, history and the fragility of the tie between mother and daughter.

Front Yard

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