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The Body Keeps the Score takes its mysterious title from a book he found on his mother’s shelf when he was clearing out her house after her death. It refers to how trauma, something most would consider to have purely psychological consequences, can actually be internalised and transpire within the physical body rather than just the mind.
Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.
Once the Metropole or mother city at the heart of a vast global empire, London is now the dominion to a new world power. Subject to the flows of global finance and whims of markets, the city has become little more than an investment opportunity for multinational developers and overseas investors. Metropole records the brutally disorientating effects of this by documenting these legions of new corporate and residential blocks as they are constructed and occupied.
Architecture with religious purposes has quite different functions from
residential or commercial. While the latter is mainly functional and
economic, the former intends to be grandiose. It’s very much part of its
design to make humans feel small, minute and God, or whoever the deity is,
appear grand, larger
Legacy is a response to the impact of the year of City of Culture 2017 in her hometown of Hull, within the city’s spaces and places. The work is a synthesis of careful research done within the various communities and organizations involved that were affected during and after the impact of the year of culture.