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The Body Keeps the Score takes its mysterious title from a book he found on his mother’s shelf when he was clearing out her house after her death. It refers to how trauma, something most would consider to have purely psychological consequences, can actually be internalised and transpire within the physical body rather than just the mind.
David Lintern
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
Dafna Talmor
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This project documents today’s techno culture in Berlin, and shows how it has been transformed into a mainstream culture that attracts millions of tourists to the city each year.
Sabrina Jeblaoui
A spotlight on the drag queens in the only gay bar in Lithuania. Forcedly hidden from the public eye in the post-Soviet country, these performances seem too deliberately shocking for the part of the society.
Milda Vysniauskaite
Roxana Allison is a Mexican-British photographer whose work has a predominantly socially-driven focus and explores the themes of belonging, identity and place. She has extensive experience working with young people and underrepresented communities spanning over 15 years and strives to achieve social justice through her photography. Longsight is an inner-city
Roxana Alison
When we think of homosexuality, the world had made huge leaps in recent years. Gay marriage is now legal in the US and the UK, protections from discrimination exist in law, gay people are allowed to adopt children — events that we have come to accept as normal, as they should
Hannah Cauhépé
Brian O’Neill is an Illinois-based sociologist and photographer whose work looks at the human condition and society’s relationship to nature. He investigates the various meanings of “industry” and how it affects local communities and environments. Beach Boulevard, his first photographic publication, is a small spiral-bound book in a small edition of 100. Rather than probing the typical documentary question “what’s going on here” it delves deeper and wonders how we actually got to our current sta
Brian O'Neil
I worked with Mark for two years documenting his experience of homelessness, heroin addiction and recovery in south London
James Hopkirk
Appalachia, Virginia is mainly known for two reasons. The first is that it’s an incredibly resource-rich territory; it supplies two-thirds of the nation’s coal reserves. Coal is an outdated energy source, which is damaging to the environment as it’s slowly being phased throughout the whole world in
Alan Gignoux
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.
Karin van de Wiel