Recent Stories
Subscribe for new stories:
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Submit Your Stories
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban
settlements in the world which is situated on the periphery of Nairobi,
Kenya’s capital with a population of approximately 2.5 million. Poverty,
disease and crime are not uncommon when discussing Kenya and Africa in
While I Was Sleeping
While I Was Sleeping is the third part of a trilogy of projects that came out of that shift (the other two being After the Fact and Endless Plain). These projects, by and large, use documentary techniques and the resulting images look like documentary photographs, but they are not intended to document an event.
Missed Care
The referendum on the UK’s membership of the EU was one of the most divisive
moments in modern history — back in 2016 and ever since then, the country felt
more polarised than ever before with a clearly growing sense of “us” and “them”.
People were either unable to or would refuse to see some of the good points that
the other side was making. The Remain side was branded “Project Fear” as they
were providing predictions of what would happen. Some of these didn’t happen,
but others, unfortunately,
Azerbajiani Stories
In Azerbaijani Stories the photographer Onur Tatar had created what he
calls composite portraits. These are the stories of ten people from
Azerbaijan combined with their portraits and images of places of
significance. As Tatar says, topography, or the arrangement of both natural
and artificial physical features of an area,
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
How western part of Ukraine helps refugees from the attacked areas
Serhiy Gudak from the city of Uzhorod, Ukraine.
The western region of Ukraine is well known for its hospitality. Nice food and
people. Today, millions of people are moving to the west from the areas which
are bombarded by Russian troops. The road can take 20-40 hours. Most people
travel light - only documents, cell phones, and their loved ones.
A list of answers to the questions "What can I do to help?"
[https://www.mnngful.com/stand-with-ukraine]
Reached Ukrainian friends, checked the sour
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
100 days before conscription
Young Cypriots at months before unavoidable military service. Do they come to celebrate the upcoming life milestone or to protest against forced consription?
Found in Nature
Barry Rosenthal brings our attention to this pertinent issue. His pictures of colourful plastic packaging of crisps, chocolate and other snacks are reminiscent of Andreas Gursky — a startling number of objects creating a pool of words and colours to a dizzying effect. They are found man-made objects that the artist has collected and photographed.