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Merlion Memories
Darren O’Brien’s project takes this fragile idea of the nature of memory as its starting point. He accompanied his partner on her return to Singapore, where she spent six years as a child, eighteen years later.
Hors-Jeu (Offside)
When we think of homosexuality, the world had made huge leaps in recent
years. Gay marriage is now legal in the US and the UK, protections from
discrimination exist in law, gay people are allowed to adopt children —
events that we have come to accept as normal, as they should
Presence in the Absence
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.
Legacy
Legacy is a response to the impact of the year of City of Culture 2017 in her hometown of Hull, within the city’s spaces and places. The work is a synthesis of careful research done within the various communities and organizations involved that were affected during and after the impact of the year of culture.
The Steel Plant Mothers
Wilfully ignoring the pleas of the local and national population, the Ilva plant, Europe’s largest steel plant, is portrayed as prioritising profit over people's lives.
Branches of a Tree in Winter
Zak Dimitrov moved to London in 2015 and by 2018 he had been on over 100 dates. The man he was going out with at the time, Reggie, turned out to be, as cliche as it sounds, his photographic muse, partially caused by practicalities as he had very little spare time, all of which was spent with Reggie, and he had to take pictures for his final MA project.
The Palaces of Memory
Stuart Freedman has the kind of experience in photojournalism that the word
“expansive” hardly does it justice. Born in London, he has been a
photographer for just over 30 years now and his photography has been
published in the likes of Life, National Geographic, Time, Newsweek, Der
Spiegel and The
Front Yard
The front yard is as much a metaphor as it is a space. Homes reflect the material successes of their inhabitants, their aesthetic tastes, and concrete the ties that bind family, lovers, and friends. When the shelter-in-place order was announced in March and time came to a proverbial standstill, I turned to my community to make portraits of people in their front yards.
Last day of school
Marko Risovic has turned his lens to his home country of Serbia to illustrate this trend. The images are strikingly different from what one would expect from a typical school photograph — it’s a decrepit environment and there are hardly any smiles. Far from the ideal happy atmosphere to foster happy childhoods and promote learning.
Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.